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On tracks like "The Grudge" and "Ticks & Leeches," Danny Carey plays polyrhythms that layer 4/4 over 5/8 over 9/8. MP3 compression introduces "temporal smearing"—a blurring of transient attacks (the hit of a drum stick on a ride cymbal). In a lossy file, the intricate tabla-like patterns on "Disposition" turn into a muddy wash of noise. In FLAC, you hear the wood of the stick, the skin of the drum, and the air of the room. tool lateralus flac
Danny Carey’s drumming features overlapping time signatures that require absolute clarity to untangle. I can recommend the needed to get bit-perfect playback
The theory holds incredible weight because the Fibonacci sequence is already woven into the album's fabric. The syllables in the title track's lyrics famously follow the pattern: "Black [1] then [1] white are [2] all I see [3] in my infancy [5]...". The time signature of the main riff for the song "Lateralus" is also a Fibonacci sequence, alternating between 9/8, 8/8 and 7/8. In a lossy file, the intricate tabla-like patterns
: The intricate polyrhythms and the "Fibonacci sequence" structure of the title track become muddy in lossy formats but remain "tighter, clearer, and crisper" in lossless. Production and Audio Heritage Tool producer on producing Aenima and Lateralus - Facebook