Great wildlife photographers rarely study just camera gear; they study the Old Masters of painting.
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There is a dirty secret to this genre: It is profoundly lonely. Great wildlife photographers rarely study just camera gear;
Consider the work of Nick Brandt, who photographs the megafauna of East Africa in stark, high-contrast black and white. He removes the color of the savanna. Suddenly, the elephant is no longer just an elephant; it is a walking cathedral. The dust becomes ash. The animal becomes an archetype of loss and majesty. There is a dirty secret to this genre:
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