Before diving into the plot of "Dawshom Awbotaar," it is essential to understand its place in the broader cinematic world created by its director. is known for crafting a interconnected "Cop Universe," a rarity in Bengali mainstream cinema. The film serves as a prequel to his earlier iconic works, including Baishe Srabon (2011), Vinci Da (2019), and Dwitiyo Purush (2020).
: The most common complaints revolved around the script and screenplay . Many felt the story writing was very weak and that the film struggled to hold its momentum, particularly in the second half. Reviewers pointed out that the runtime of over 2.5 hours felt too long, and a significant number of viewers claimed they could predict the identity of the villain long before the climax, which diminished the suspense factor. One critic aptly summarized it as a film that "shines brightly in its individual components... but ultimately struggles to coalesce into a cohesive and wholly satisfying whole".
Set against the gritty backdrop of Kolkata in the early 2000s (2003–2004), the plot follows a deeply twisted theological thread. A brilliant, unhinged serial killer begins terrorizing the city, meticulously executing individuals he deems morally corrupt. The calling card of these gruesome executions relies on the —the ten primary mythological incarnations of Lord Vishnu.