"As Bestas" arrives at a time when Spanish cinema is experiencing a renaissance, with filmmakers like Sorogoyen, Carlos Simón, and Benito Zambrano pushing the boundaries of narrative storytelling. The film has drawn comparisons to the works of Spanish auteur Luis Buñuel, whose subversive, psychologically complex films continue to inspire generations of filmmakers.
The film excels in its portrayal of "closed-room" dynamics—the village is a small, insular community where everyone knows everyone, and outsiders are viewed with suspicion. The neighbors are not painted as cartoonish villains; rather, they are depicted as crude, desperate, and deeply insecure men whose way of life is vanishing. This makes them terrifyingly human and unpredictable. as bestas rodrigo sorogoyen
The title refers not only to the wild horses often caught in the rural landscape but also to the primal, animalistic nature of human conflict when driven by desperation and hate. The brothers, Xan and Lorenzo, represent a form of violent, traditional masculinity that feels threatened by change and the arrival of "outsiders" who try to change their way of life. C. The Immigrant Experience "As Bestas" arrives at a time when Spanish
Have you seen As Bestas? Do you think Antoine was right to refuse the wind turbines, or was his intransigence a form of suicide? Share your thoughts in the comments below. The neighbors are not painted as cartoonish villains;
The Galician mountains are beautiful but claustrophobic. Sorogoyen and cinematographer Alex de Pablo use the mist and the jagged terrain to isolate the protagonists, making the vast outdoors feel as tight as a prison cell.
The first half of the film is driven by an escalating campaign of psychological warfare led by Xan. He uses passive-aggressive barbs in the local tavern, poisons Antoine’s water supply, and engages in dangerous vehicular intimidation.