The harem was not just a space for the Sultan’s concubines; it was the sacred, fortified, and secluded private household, often holding hundreds of women, including the Sultan’s mother (Valide Sultan), wives, daughters, and concubines.

Modern studies and historical analyses have sought to debunk the exoticized "odalisque" imagery often presented in Western art, which frequently turned the harem into a "dark, exotic, and erotic dream".

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