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Kora was a street-cover artist—one of those who breathed life into old soul songs, turning them into something raw and urgent on cracked sidewalks and subway stages. She'd grown up on bootleg records and late-night transmissions, learning to fold sorrow into melody. Her signature was a cover she called “Nuttin Like the Real Thing,” a wry, reverent twist on a vanished classic everyone knew but no one remembered correctly. Where the original had promised fidelity and oath, Kora's version spoke of small betrayals and quiet miracles: lovers who kept one another alive in errands, friends who stitched each other’s courage into scarred coats, the truth that what mattered most was the imperfect, immediate thing between breaths.