Eighteen years after its release, Their Law: The Singles 1990–2005 remains an essential document of musical history. The Prodigy’s influence can be heard across electronic music, rock, and hip-hop. They bridged the gap between underground rave culture and stadium-filling rock and roll. Liam Howlett’s production techniques, Keith Flint’s manic stage presence, and Maxim’s MC prowess created a formula that has yet to be successfully replicated.
: A defining moment in drum and bass crossover, this remix revitalized the 1994 classic for a modern dancefloor. Eighteen years after its release, Their Law: The
The album takes its name from the track "Their Law," originally a middle finger to the UK's 1994 Criminal Justice Bill, which targeted rave culture. By the time this compilation dropped on October 17, 2005 By the time this compilation dropped on October
This tracklist is remarkably sharp. It’s "all-killer/no-filler," as Pitchfork noted in their glowing review. Notably, some singles like "Baby's Got a Temper" (2002) and their very early "Fire" / "Jericho" release are absent because Liam Howlett reportedly disliked them or felt they didn't fit the narrative of the collection. backed by a crunchy guitar riff
A masterclass in tension and release. The interplay between Keith Flint’s punk sneer and Maxim’s intense delivery, backed by a crunchy guitar riff, earned them another global number-one hit.